This is a Chinese restaurant with a selection of classic tropical cocktails on the menu.

No real tiki decor to speak of, however, it has a rich history and is tiki adjacent with mugs issued by both Tiki Farm and Tiki Diablo.

From the Formosa:

"The Formosa first opened its doors in 1939: making its new debut in its 80th year. Located across from the then-Samuel Goldwyn studio, stars like Frank Sinatra, Humphrey Bogart, James Dean, and Elvis Presley would pop into the legendary Formosa Cafe regularly for dining and drinks. On any given day, patrons might have seen Ava Gardner dancing past the old, red leather booths, or John Wayne nursing a late-night scotch (he was caught making scrambled eggs in our kitchen one morning, after reportedly passing out in a booth the night before).

Among the interior design restorations is the full reveal of the iconic and original red trolley car, dating back to 1904 and is confirmed to be the oldest surviving red train car in existence. Boxes of autographed celebrity photos and storage units of original memorabilia have made their way back into the Cafe.

We worked with local L.A. archivists and hospitality notables who are helping to inform the new food and cocktail menu: a retrospective of Formosa’s culinary evolution since the 1920’s. The new Formosa not only transports guests back in time to the glory days of Hollywood, but with its new menu, patrons are given another way to connect to a part of L.A.’s gastronomic history, too.

Because one of the most prominent decor themes in the Formosa is the old black and white headshots, we wanted to give the newer areas of the Formosa a part to play, too: to tell a storied history of Chinese Americans in Old Hollywood. To do this, the Formosa Cafe team collaborated with historians as well as the original family to procure all the original photos and artifacts and bring them back to their original home where they belong. With the new addition of the historic Yee Mee Loo bar area of the Formosa, we decided to tell a story about the influence of Chinese Americans in early Hollywood: from a collection of ephemera and photos, movie posters and headshots, it showcases major Chinese actors from a chronological standpoint from Hollywood’s golden age."

Located in a surprisingly welcomed proximity of just over 3200 feet from the North tarmac of the Los Angeles Airport, the Polynesian Village Apartment complex was the epitome of primitive, space-age bachelor pad living when it opened in 1962. Designed by prolific mid-century architects, Armet & Davis, the immersive environment featured a stylishly themed atmosphere, complete with 24/7 flaming gas Tiki torches and cascading lava rock waterfalls. Made in a series of three sister developments across Los Angeles county, the dingbat cubist apartment structures were adorned with redwood carvings by the renowned sculptor team of Andres Bumatay and Richard Ellis.

Torn down in 2003. Many of the tiki carvings were salvaged and some are on display at Max's South Seas Hideaway in Grand Rapids, Michigan.

This property sits on an exceptional 12 hectare estate, located at the top of the Tahara’a Cliffs, and the viewpoint offers a spectacular panoramic view of Matavai Bay, and in the distance; Papeete and even the full view of Moorea.

Built in 1967, opened in 1968, and closed around 1989. It was designed by architect Neal Prince, who designed many hotels internationally. Tahara'a InterContinental Hotel was a subsidiary of Pan Am Airlines.

The Tahara'a was less of a Tahitian hotel and more of a Westerner's dream of what a Tahitian hotel should be. It was over the top in almost every way and was THE Tahitian hotel in the 1970s and 80s until its close in 1989.

In addition to the wonderful hillside, with a wonderful view of the Moorea Bay, the hotel offered the largest guest rooms of any hotel in the South Pacific, at the time. Each guest room was air conditioned, with a dressing room, bathroom and spacious terrace.

It had around 201 rooms and many amenities, including the Captain Cook Restaurant and a coffee house/café decorated with pufferfish, cork floats strung across the ceiling on old sailing rope, and many more tikis and artifacts supplied by the famous (at least to tikiphiles) Oceanic Arts in Whittier, CA.

Neal Prince designed the interiors of the hotel. During this time, no one on the island had the skills or the know-how to carve tikis. Thus, Prince hired Oceanic Arts to produce his sketches. Among many other pieces of décor, the owners, Leroy Schmaltz and Robert Van Oosting, produced the 21-foot tall signature hotel tiki for Prince. When that massive tiki was delivered, the plan was for it to be placed in the lobby of the hotel. However, due to the weight and height of the tiki, it was not able to fit. So, they telephoned Prince and inquired what to do with it. Mr. Prince asked where the tiki was at that moment, and Ed Crissman (another carver who worked for Oceanic Arts at the time) noted that it was currently located in the front of the hotel, to which Prince replied, "Great, then leave it right there!!". And so, it remained… an icon of the hotel for many years until the hotel eventually closed. 

There are reports that this giant tiki remains standing today, even though the hotel has been closed and the property has been abandoned for many years.

Some wonder why this property was abandoned and the answers remain murky. The hotel announced in 1983 after a worker's strike that it could no longer afford to stay open. At one point later in its life it was named the Hyatt Regency Tahiti. In 1989 it was purchased for $30 million by the Japanese company, EIE, who planned to renovate it with $8 Million earmarked for that purpose. It does not appear that those renovations ever took place.

It is listed for sale by Sotheby's Real Estate with no set asking price and has been for several years.

*Not to be confused with the current InterContinental Resort & Spa which features a Tiki Bar and is close to the airport. The new InterContinental location is quite luxurious and well-reviewed, but perhaps the newest and most exclusive hotel in Tahiti is just down the way from the abandoned Tahara'a -- Le Tahiti by Pearl Resorts (formerly the Radisson Plaza Resort Tahiti).

This venue opened in August 2011 at the site of the former Po Na Na in Edinburgh. It appears to have closed after 2015 or so.

The Auld Reekie Tiki Bar opened at this same location in June 2017 (created by the owner of The Tiki Bar and Kitsch Inn) but it only lasted a year or so and was replaced by Kitty O'Shea's, an Irish pub.

The Beachcomber was a Canadian chain of elaborate Polynesian restaurants in the same vein as other popular chains like Kon-Tiki, Don the Beachcomber and Trader Vic's. Aside from this Vancouver location, there were also locations in Calgary, Edmonton, Victoria and Winnipeg.

This location opened in 1960, and was briefly closed in December 1961 after a fire. The restaurant was also called The Hawaiian Village during part of its time of operation. It eventually closed in 1981.

This space has been occupied since 1984 with the newly constructed Grosvenor Building at 1040 West Georgia St.

The Beachcomber was a Canadian chain of elaborate Polynesian restaurants in the same vein as other popular chains like Kon-Tiki, Don the Beachcomber and Trader Vic's. Other restaurants in the chain were located in Calgary, Edmonton, Vancouver and Victoria.

The Beachcomber was located in the Carlton Motor Hotel in Winnipeg; the motel opened in 1961, and the Beachcomber was open at least as early as 1962. The restaurant had a "star-lit sky" ceiling, and had thatched huts, and an open "steak pit" area where patrons could see chefs at work. An alcove dining area had floats, tapa and beachcomber lamps.

The Beachcomber was open until 1990.

The Carlton Motor Hotel became the Carlton Inn, and the then non-Polynesian restaurant on site was called Paragon.

The building was torn down in 2012 when what is now the RBC Convention Centre expanded.

The Beachcomber was a Canadian chain of elaborate Polynesian restaurants in the same vein as other popular chains like Kon-Tiki, Don the Beachcomber and Trader Vic's. Other locations were in Edmonton, Vancouver, Victoria and Winnipeg.

The Calgary location was open at least as early as 1967, judging by newspaper advertisements.

However, it burned down on April 19th, 1972, and there is now an office building where it once stood.

Lei Low opened in Houston's Heights neighborhood in late February 2014. The force behind Lei Low is husband-and-wife tikiphile team Russell and Elizabeth Thoede.

Lei Low serves drinks inspired by the historic tropical standards, but in their own modern style. Although Lei Low doesn't typically serve food, they do have occasional luau events.

A brightly colored mural of a tropical scene adorns the front entrance. Inside, the centerpiece of the space is a dramatic thatched A-frame structure behind the bar, which holds a collection of tiki mugs. There are a couple of vintage Witco pieces, and a few colored floats hang from the ceiling. There is seating in green booths, or on stools along the large bar. Tiki posts are found between booths and behind the bar. A grand peacock chair is near the entrance. Along most of the walls, the decoration comes in the form of framed art hung on framed pieces of lauhala matting.

This was a two-story tiki bar and Polynesian restaurant in Orlando's Wall Street Plaza, owned by a developer who owned six other clubs in the complex.

Waitiki opened in August of 2004, and featured a downstairs bar made of antique ironwood, outdoor balconies, many wood carvings and teak flooring.

It was not an immersive tiki environment, but there was much artwork from modern-day tiki artists like Flounder, Joe & Donella Vitale and local tiki carver Wayne Coombs (Mai Tiki).

Tropical cocktails were available, and the food was a more modern take on Polynesian cuisine, with a focus on seafood.

Upstairs bar was the "Monkey Bar" with the expected theme reflected in the decor.

On December 26th, 2024, the bar re-opened as "Warped Pour". Anything tiki-related was gutted and the new interior is themed around the Vans Warped Tour traveling rock music festival.

The Islands was a Polynesian restaurant just south of Camelback Road in Phoenix, operating from July 4th, 1958 through at least the '70s. It had four rooms: the Tapa Bar, the Tiki Room, the Cannibal Room, and the Waterfall Room, which was available for private events when it wasn't used for live music and dancing,

The building had two swooping A-frames, facing in opposite directions, covered in thatch, and two cone-shaped thatched huts to the left of the main building. The exterior sides of the restaurant were decorated with oversized, graphic tapa-style designs. The restaurant was fronted by two large rootball tikis that were sometimes used as logos for the restaurant.

From 1977 onward, it was known as Tommy Wong's Island Restaurant after being purchased by Wong, who had worked at the Chicago Don the Beachcomber and at the Aku Aku in Las Vegas before becoming a successful restaurateur in his own right. Tommy Wong also had an Island Restaurant (or "Islands Restaurant" depending on the advertisement) in Colorado Springs and Denver, Colorado.

Some time in the '80s, The Islands/Island Restaurant building in Phoenix was razed. The rest of the chain in Colorado also went under in the 80s.

The Islands Restaurant was situated in the former Hanalei Hotel, now called the Crowne Plaza. This once-elaborate mid-century Polynesian restaurant was designed by George Nakashima along with Hendrick & Mock Architects, starting in 1964. It had an A-frame entrance from the hotel's courtyard, elaborate water features and lush surrounding landscaping, and was thoroughly and richly decorated inside. The restaurant featured lovely carved railings throughout, large glass float lights, and dramatic clam shell fountains. Some of the tikis here were salvaged from Steve Crane's Luau in Beverly Hills.

Over the years, remodels of the restaurant (and surrounding hotel) gradually stripped the restaurant of its defining features. In November 2006, a six-month renovation of the restaurant began, which removed many of the waterfalls, fountains and other water features, along with nearly all of the tiki artifacts. The end result was a fairly generic hotel restaurant, though some decor in the hallway outside remained intact for some time after.

In the beginning of the Covid pandemic the hotel was contracted by the city to house homeless Covid victims and this restaurant was closed since @2020 to the public. Fences and security were put up and those not registered to stay were turned away. Then, another remodeling was completed and the hotel opened back up in 2024 to show that all traces of Tiki decor had been removed from the premises, save some lava rock on some of the walls and some tiki railings.

So, although you can visit the hotel now, as of 2024, it is essentially finished as a tiki point of interest, save for the memories.

The Crowne Plaza, originally the Hanalei Hotel (built in 1959), was remodeled and expanded just a few years later to include features like flaming Moai and Tikis atop its towers. This 1964-1966 expansion was by Hendrick & Mock, architects.

This hotel was also host to Islands Restaurant and Islands Sushi and Pupu Bar.

The hotel became part of the the Crowne Plaza chain, and was later formally called the Crowne Plaza San Diego. Before becoming a Crowne Plaza hotel, it was a Red Lion hotel, and before that it was a Best Western. The sign for the Hanalei used to be a fantastic example of Googie signage, but tragically, it was replaced with an exceedingly bland sign when "updated" by Best Western. The "Hanalei" name was dropped entirely from use when it became the Crowne Plaza in 2007.

For many years, the Crowne Plaza was able to retain a little bit of its Polynesian feel, including tikis salvaged from Steve Crane's Luau in Beverly Hills. It is a large hotel, and the remaining tiki touches were more scattered than immersive.

In late 2006, the Islands Restaurant was gutted for "renovation", and the amount of tiki to be found here dwindled to near nothingness by 2024.

*This site was a host of the ever-growing Tiki Oasis event (2006-2019) before it moved and was held at San Diego's Paradise Point (2020) and later re-located to San Diego's Town and Country in 2021. From 2001 to 2005 Tiki Oasis was held at the Caliente Tropics in Palm Springs.

In the beginning of the Covid pandemic the hotel was contracted by the city to house homeless Covid victims (and then later, apparently immigrants) and this restaurant was closed since @2020 to the public. Fences and security were put up and those not registered to stay were turned away. Then, another remodeling was completed and the hotel opened back up in 2024 to show that nearly all traces of Tiki decor had been removed from the premises, save some lava rock on some of the walls and some tiki railings.

So, although you can visit the hotel now, as of 2024, it is essentially finished as a tiki point of interest, save for the memories.

*NOTE: House of Buzz (Buzzy Meeker) was able to salvage much of the removed decor and tikis. He sold them through direct sales and through an auction, complete with auction catalog. The catalog could be purchased through his Etsy store. One particularly large and noteworthy tiki (seen below with model) and attributed to Mexican artist Deme Chavez (carved from South American hardwood in the 1950s) stood proudly in the Hanalei garden atrium for decades but now has a new home at False Idol in San Diego.